Constructed in the 1680s for Louis XIV, and measuring nearly four metres in diameter and weighing a couple of tons apiece, Vincenzo Coronelli’s great globes “are a simply amazing celestial and terrestrial pair,” writes Matthew Edney, who saw them at the Bibliothèque nationale de France in 2019. But, he goes on to say,

[T]he globes were effectively useless. Their imposing grandeur made them completely the wrong size to be used effectively. Smaller globes—made with diameters between 0.075–1.7m (3–67″)—could be easily turned to show specific parts of their convex surface. Or, people could enter within much larger globes, called georamas, turning themselves around as necessary to see all parts of the earth on the concave interior surface. Coronelli’s globes were far too large for the former, and far too small for the latter.

This unavoidable reality inverted the usual physical relationship between viewers and globes, undermining the viewer’s usual sense of intellectual domination and converting the globe-viewing experience to one of awe and amazement. As a result, no-one really knew quite what to do with them[.]

Their difficult size and limited utility is why they’ve spent most of their 340-year existence hidden from view, though they’ve been on display since 2005 at the BNF’s François-Mitterrand site (see the above BNF video, in French).

The 38th volume of the Esri Map Book (Esri, 5 Sep 2023) came out earlier this month. Like the NACIS Atlas of Design (previously),¹ it’s a showcase of maps presented at a conference—in this case, maps from the Map Gallery exhibition of Esri’s International User Conference. The Esri Map Book website has a gallery of maps presumably from this volume, and given the number of pages in the book (140) and the number of maps in the gallery (65), it may actually be complete (assuming a two-page spread per map). $30. Amazon (Canada, UK), Bookshop.

Peter Bellerby, of bespoke premium globemaker Bellerby & Co. fame, has written a book: The Globemakers: The Curious Story of an Ancient Craft (Bloomsbury) is out today in hardcover in the UK, and in North America on October 17; the ebook is available worldwide as of today. From the publisher: “The Globemakers brings us inside Bellerby’s gorgeous studio to learn how he and his team of cartographers and artists bring these stunning celestial, terrestrial, and planetary objects to life. Along the way he tells stories of his adventure and the luck along the way that shaped the company.” £25/$30. Amazon (Canada, UK), Bookshop.

Bespoke globemaker Bellerby and Company is putting the finishing touches on a one-of-a-kind globe that will be auctioned to raise funds for the defence and rebuilding of Ukraine. “One of our talented painters, Anastasiya (Nastia), has been in the company close to 5 years. She is hand painting traditional Ukrainian folk art directly on to this unique and special globe.” The globe is inspired by Petrykivka painting. More at their Instagram post.

“When you are a global Geographic Information Technology company with a globe in your logo, you don’t shy away from the opportunity to have a great big glorious 8.5-foot diameter illuminated rotating globe in your new office building. But what sort of globe cartography do you design? How should this gigantic model of our lovely home planet appear?” John Nelson and Sean Breyer explain the design and construction process behind Esri’s new globe—a custom Earthball manufactured by Orbis World Globes.

Last year John released a set of Dymaxion ornaments. The year before that, a more complex geodesic globe ornament. This is now officially a tradition, John.

The first one I ran across was the Globus Polski or Poland Globe, an inexpensive 12-inch globe which comes in two versions, administrative and physical, and depicts the country of Poland as if it were Pangaea. According to a comment on the Reddit post where I think I first saw it, there are apparently other single-country globes like this out there.

The second is the polar opposite of the Poland Globe: it’s large, expensive and one of a kind: a bespoke, illustrated globe of the Silk Route that took Bellerby more than a year to complete to the customer’s exact specifications. The main map on the globe covers the Silk Route itself, from the Mediterranean to Japan; the back of the globe—this globe has a back side—“features a map of China with overlapping details on the eras at the time of the Silk Route.”

I have to confess that I’m weirded out by this sort of globe: they fall into a cartographic uncanny valley in which the thing mapped is ostensibly correct but in a form that somehow feels deeply wrong.

The National Maritime Museum is closed right now, obviously, but in the meantime they’ve given us a virtual version of one of their treasures: a 1541 table globe by Gerardus Mercator.

Previously: Antique Globes, Virtual and Real.

The British Library is digitizing its collection of globes, with the first seven virtual globes scheduled to be released online next week.

The digital globes will be available to view on the British Library website—www.bl.uk/collection-items—from 26 March, via a viewing platform which includes an augmented reality function (available on phone or tablet via the Sketchfab app). This online access will allow unprecedented up-close interaction with the globes from anywhere in the world and means that for the first time, a variety of previously illegible surface features on the globes can be read.

A total of 30 globes are being scanned this way. [The Guardian]

Meanwhile, in Russia, the Grabar Art Conservation Center is restoring the State Historical Museum’s badly dilapidated pair of Blaue globes. Work on the terrestrial globe has been completed; the celestial globe is next. This video (in Russian) documents the process. See also TVC Moscow (also in Russian). [WMS]

Per standing IKEA policy, New Zealand is not shown.

The reviews on the U.S. store are hilarious, but on the U.K. store the single a review on the U.K. says that the globe is chalkboard (it’s made of polystyrene), which makes the product a good deal less absurd. Otherwise, it occurs to me that it could make a halfway decent base on which you could paste your own globe gores. [Cartophilia]

This is precisely what one Reddit user has done with the map from Steven Erikson’s Malazan Book of the Fallen. Now there is no official overall world map for the Malazan novels: if I understand things correctly, fans have had to reverse-engineer it from the large-scale maps and descriptions in the novels. In any event, putting a fantasy map on a globe is an achievement in and of itself, regardless of source or medium, since most fantasy worlds are drawn as flat maps, and not all of them take a round world into account. [Tor.com]

Previously: Applying Fantasy Maps to Globes.

Sometimes called a Rubik’s globe, though Rubik had nothing to do with it, this Hungarian-made globe puzzle from the 1980s, known variously as the Földgöm, Globus Gömb or Varázs Gömb, sometimes shows up on the lists of collectibles dealers. Consisting of a plastic core and tin surface pieces, the puzzle operates on two axes; the eight corners do not move. Jaap’s Puzzle Page has details on its origins and how to solve it, and also shows a couple of non-geographical globe puzzle variants. Here’s a short blog post from the Retro Game Museum (in Hungarian). And here’s an unboxing video from someone who bought a globe (bundled with a Rubik’s cube) on eBay. [Harvard Map Collection]

Entrepreneur magazine profiles Peter Bellerby, the founder of globemaking company Bellerby and Company. We’ve seen a lot of Bellerby profiles over the past few years, but this one goes into more depth than most. The story of the company’s founding (Peter wanted to make a globe for his father’s 80th birthday, et cetera) is retold, but we get some more detail about the size and volume of its business today: “This year, the company should turn around about 750 globes, compared to 500 last year—and the current wait list stands between six months and two years depending on globe size. Revenue-wise, the company will likely net about 3 million pounds (close to $4 million) in 2018.” That’s … that’s something. [WMS]

Here’s a short video from the British Museum about a 13th-century celestial globe; it goes into the history of the globe, who made it, and how the stars appear on it (i.e. if the sky is represented as a globe, we’re on the inside: how do the stars appear on that globe?).

In 2016 I told you about Michael Plichta’s first globe, a delightfully retro hand-crafted globe of Mars based on Percival Lowell’s maps that showed the world covered in canals. Plichta’s second globe project is also cool and unusual, but in a completely different way: it’s a relief globe of the Moon. No globe gores were used to make this 30-cm globe: the textured surface is cast in artificial plaster and then painted by hand, a compulsively exacting process laid out in this short video:

Hand-crafted globes are never inexpensive, and though Michael never mentions prices, this one cannot be either. (I’ve seen his Mars globe listed for $1,850.) That said, this is a definite lust object. I desperately want one.

Previously: A Globe of Percival Lowell’s Mars; New Moon Globe Released; Globes of the Solar System.

The University of Lausanne has come across a pair of globes—one celestial, one terrestrial—made by Mercator in the 16th century. Mercator apparently had a reputation as a globemaker, and a number of his globes are still in existence today. But “not particularly rare” is not the same as “not particularly  interesting,” and the globes, which first turned up on campus in 2004, are now the subject of an exhibition at the Espace Arlaud in Lausanne, which runs until 15 July, and an extensive and detailed website that talks about the globes and how they were discovered and authenticated. Digital versions of each globe have also been produced: here’s the terrestrial globe; here’s the celestial globe.

All of this, by the way, is in French. If reading French is not your thing, the Harvard Map Collection also has a pair of Mercator globes, which you can view via their (rather dated) website.

Earlier this week I told you about President Kennedy’s map of Cuba. Now here’s a piece on President Franklin Delano Roosevelt’s globe from the Library of Congress’s map blog.

The “President’s Globe” is big—really big and important. Weighing in at a whopping 750 pounds and sized at an impressive 50 inches in diameter, the globe was specially designed for President Franklin D. Roosevelt for use during World War II. The massive representation of the earth helped the president gauge distances over water to allocate personnel and material in support of the war effort against the Axis Powers of Germany, Japan, and Italy. This feat of cartographic history was given as a Christmas present to the president in 1942, and he placed the globe directly behind his office chair, often referring to it during his workday.

Lots of interesting detail in this piece. Three globes were made, under the direction of Arthur Robinson (yes, that Robinson) who during the Second World War directed the map division of the OSS: the other two went to Winston Churchill and General George C. Marshall. Roosevelt’s globe is now at his presidential library. [WMS]

Starting with the great minds of ancient Greece, the exhibition follows humanity’s never-ending quest for knowledge and adventure. Uncover the vital role played by the pioneering scientists of the Islamic world, and track the ancient science of astronomy as it passed through Muslim Spain in the 10th and the 11th centuries. See the earliest-known celestial globes from the Islamic world and one of the earliest known Arab astrolabe in the world.

More at the Khaleej Times. [Tony Campbell]

• Clausen guesses that the forgery was done in the 1940s or 1950s (“The prime forgery suspect is Carl Schweidler, whom Clausen calls ‘probably the best paper restorer of the 20th century.’”);
• The reason why Christie’s was led astray was that one of the reference gores—the Bavarian State Library’s—was also a fake (that latter fact has already come out, but this article doesn’t gloss over its importance); and
• Barry Ruderman, Clausen’s boss, guesses that this is only the tip of the forgery iceberg.

[Tony Campbell]

Still more coverage of the cancelled auction of the Waldseemüller globe gores that were later identified as fakes, this time from the Houston Chronicle, which pursues the local-interest angle by talking to Michal and and Lindsay Peichl, restorers from Clear Lake, Texas (their firm is Paper Restoration Studio) who were brought in to examine the gores along with other experts. Michal says it didn’t take him long to figure it out:

“My first reaction when I saw the picture was, ‘Oh my God, this is a fake,'” said Michal. “You could tell this was a sheet of paper pulled from a book binding board.

“It was printed on a piece of paper that used to be glued on the back of book and that was a red flag to me because as a forger, if you want to make a fake, that’s where you would go to get a clean sheet of paper.”

[WMS]

Previously: How the James Ford Bell Library Fingered the Fake Waldseemüller Globe Gores; Waldseemüller Auction Cancelled After Experts Suspect Fakery; More on the Waldseemüller Globe Gores Auction; Sixth Waldseemüller Globe Gore to Be Auctioned Next Month.