Earlier this year Anton Thomas finished his Wild World map—a hand-drawn pictorial map of the natural world on the Natural Earth projection—and prints and posters have been shipping out. I’ve covered Wild World before on The Map Room, but this is news I somehow missed at the time.¹ But this week Anton’s project has gotten some fairly significant news coverage: first from The New York Times (paywalled) and then from CBC Radio’s The Current (not).²

Previously: Anton Thomas’s Next Project: Wild World; Anton Thomas’s Wild World: A Progress Report.

The latest in Randall Munroe’s Bad Map Projection series on xkcd is perhaps his most evil yet: it turns all longitudes positive—i.e., it turns west longitude into east longitude, putting Quebec somewhere in Kazakhstan and the Panama Canal off Sri Lanka.

Created by layering combinations of nearly 2,500 keystrokes (I, H, X, and O) with a 1953 Royal Quiet De Luxe typewriter on Masa 77gsm paper from Japan. Based on a California Albers projection at approximately 1:5,000,000 scale.

The original is held by the David Rumsey Map Collection.

Pierre Novat (1928-2007) was another painter of panoramic mountain and ski resort maps working with the same techniques as Henrich Berann and James Niehues. Novat actually predates Niehues, and even Niehues’s mentor Bill Brown: his career ran from the early 1960s until his retirement in 1999. He mainly focused on French ski resorts; for the 1992 Winter Olympics in Albertville he pained a panorama of all the Savoie venues. In March 1992, France 3 aired this profile of Novat that explored his process; the above video relates to a 2014 exposition of his work. (All links in French; see this 2014 blog post from the Ski Adventures blog for something in English.)

This xkcd cartoon requires deep Nickelodeon knowledge to understand.

The xkcd from last Friday, “Island Storage,” is the most recent map-related way that Randall Munroe has hurt us in the eyes.

Anton Thomas gives us an update on the map he’s been working on for the past two years: Wild World. “With much ocean ahead, and Antarctica, I think it’ll take another year to finish. But most of the land is done. And prints of certain continents are already available, so the map is going well. It’s just . . . more complex and detailed than I ever dreamed.”

Previously: Anton Thomas’s Next Project: Wild World.

Update, 20 Jan 2023: Interview with MapLab.

Geofiction involves creating imaginary worlds through maps—maps of fictional places, but without the story attached—and David Nuttall has been at it since the age of five. He says he’s gotten better since then (his gallery, sorted by medium: see if he’s right). One of his maps is featured in the new (6th) volume of the NACIS Atlas of Design; Nat Case writes about it here:

David’s maps do wear the sorts of stylistic suits of clothes “regular” referential maps use. They studiously use stylesheets from particular eras and schools of cartography. And the “places” mapped, like most historical fiction, has strong roots in actual geographies. The patterns of settlement and transportation, the way landforms relate to one another: David knows his stuff. And so this map, “Kjempsavor Ayars,” looks like the Faeroes … and the Shetlands, the Outer Hebrides, or the islands of Norway. And the map artwork looks a lot like a kind of map-making from the early mid-20th century, where old schools of hand-lettering and drafting met an ever-more-engineered modern world. But, and this is such a puzzle to know what to do with: It’s not actually of anywhere. There’s no stories to back you up about this bridge or that ferry route, the Viking history of that settlement or the modern fishing industry at that port. It suggests there ought to be a history like that, but it unexpectedly leaves you with that job.

The Atlas of Design, vol. 6, costs $25 and can be bought here; David’s shop is here.

OpenStreetMap was always pretty good but is also now really good? And Apple Maps’s new zoomed-in design in certain cities like NYC and London is just gorgeous. It’s cool how there are all these good maps now!

—is unexpectedly more on point than not.

In 2013 I wrote a screed saying that all online maps sucked: that no one map platform had a monopoly on errors. At the time Exhibit A for the suckiness of online maps was Apple Maps; since then, and particularly since 2018, Apple has been putting in the work. Not that they’re done, but still: the product is fundamentally better now than it was then. And it’s not like the other platforms have been idle in the meantime. No one platform is going to achieve Cartography’s ideal of the universal and accurate Map—that’s inherently unachievable—but better? I’ll take better.

Uncharacteristically for xkcd’s Bad Map Projection series, the Madagascator is actually totally legitimate as a projection. Not that it’s any less mischievous, mind.

Update, 3 May: Turns out there was more to this xkcd cartoon. See Mercator: Extreme.

To mark The Quarantine Atlas’s release, editor Laura Bliss has a piece in Smithsonian adapted from the book’s introduction and generously illustrated with maps. Bloomberg, which absorbed CityLab a while back, features twelve quarantine maps from the various calls for submissions. Update: Plus an adaptation of David Dudley’s foreword.

The Quarantine Atlas
by Laura Bliss
Black Dog & Leventhal, 19 Apr 2022
Amazon (Canada, UK) | Apple Books | Bookshop

Bespoke globemaker Bellerby and Company is putting the finishing touches on a one-of-a-kind globe that will be auctioned to raise funds for the defence and rebuilding of Ukraine. “One of our talented painters, Anastasiya (Nastia), has been in the company close to 5 years. She is hand painting traditional Ukrainian folk art directly on to this unique and special globe.” The globe is inspired by Petrykivka painting. More at their Instagram post.

Randall Munroe’s map projection humour is increasingly on point, as last Friday’s xkcd demonstrates. (The mouseover text is even better: “There are two rules on this ship: Never gaze back into the projection abyss, and never touch the red button labeled DYMAXION.”)

Previously: xkcd: The Greenland Special; xkcd: All South Americas; Blame the Mercator Projection; xkcd’s Time Zone Map; xkcd’s Liquid Resize Map Projection.

Previously: CityLab Wants Your Hand-Drawn Quarantine Maps; Maps from Isolation; CityLab Wants Your Homemade Map of 2020.

Preorder The Quarantine Atlas: Mapping Life under COVID-19 at Amazon (Canada, UK).

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Previously: A ‘Serio-Comic Map’ for the Modern Age; Another Caricature Map of Modern Europe.

Maps where countries are coloured in with flag patterns: I’ve seen a lot of them around, especially on Reddit, but I haven’t necessarily liked them; xkcd’s comic from last Wednesday goes one step further in that it offers a way to hack them.

Inspired, he says, by Itchy Feet’s maps of Every European City and Every American City, Alfred Twu has come up with a Map of Every Chinese City. (Chinese version here.) Twu is no stranger to these parts: he worked on rail maps for California and the Northeast Corridor some years back.

Previously: Itchy Feet’s Map of Every European City; Itchy Feet’s Map of Every American City.

Legendary ski resort map artist James Niehues has announced on his blog and on Twitter that he will be “stepping away from creating ski resort trail maps” after more than three decades. He plans to work on other projects, including the American Landscape Project, and will, for the first time, be selling original paintings and sketches of his ski resort trail maps later this month.

Previous posts about James Niehues.

Sonia E. Barrett’s Dreading the Map is an explicitly anti-colonial work installed in the heart of one aspect of British colonialism: the Map Room of the Royal Geographical Society.

Using carefully curated paper maps of the Caribbean and UK that have been shredded into strips, the artist and several black women co-creators used African-Caribbean hair styling techniques to plait the shredded maps. Culturally, such female spaces of hair styling are filled with discussions around self- and community-care, and this black woman-centred cultural practice juxtaposed the wood-lined walls, globes and portraits of white explorers that typify the building with the music and laughter of black women talking and working together. As a response to the RGS’s stated desire to reflect on their history and their building, this was a filling of the space with black women’s language, perspectives and practices, a reimagining of what the space can and should mean.

Dreading the Map is one of several “artistic provocations” commissioned by CARIUK. It has been installed in the RGS’s Map Room since March. On 24 May the RGS hosted a conversation with Sonia E. Barrett about the work.

As the new artist in residence at Ottawa’s Diefenbunker Museum, Mairi Brascoupé is blending Cold War-era maps and beadwork to explore the idea of “place” during times of change.

Brascoupé, a member of Kitigan Zibi Anishinabeg First Nation, wants to weave her own story by exploring the differences between cultures of Indigenous people and settlers.

She plans to use waterways and traplines in contrast with fallout zones, evacuation plans, and other details of the museum’s maps.

Since 2013, Peter Bolt—whose company is called Landfall—has been making bespoke 3D relief models based on from nautical charts, Ordnance Survey maps and aerial photographs (see his portfolio for examples). The models are layered along contour lines—a process that can be seen in several of his videos. Everything is a custom job, made by hand; prices begin around £250 for an A4-sized model and go up from there.

Kara Prior cross-stitches earth science maps; her work includes a series of state bedrock geology maps (see also Reddit) and a bathymetry map of the Great Lakes (above), among other things. She has an Etsy store.

What’s the most challenging aspect of the work?
Showing all the trails in the most understandable and navigational way. It may not always be in one view, but I strive for the single view because it leaves no doubt about any trail connections or direction. Many mountains have slopes on more than one face, which requires manipulating the features to show the back side with the front on a flat sheet of paper. This has to be done with care since skiers will be referring to the image to choose their way down; all elements have to be relative to what they are experiencing on the mountain.

[via]

CityLab has posted a selection of reader maps that explore how their lives were affected by 2020. Coronavirus, change and disruption are recurring themes. “We hope these maps offer readers a sense of solace and solidarity, a chance for reflection or provocation, and perhaps even a breath of creative inspiration.” (Previously: CityLab Wants Your Homemade Map of 2020.)

We’re inviting you, our readers, to create a homemade map of your life, community, workplace or broader surroundings as you experienced them in 2020. Show us how the extraordinary changes of this year have shown up in your life. Or, try to envision how this year will impact 2021. Perhaps you want to map the city you hope to see—changes in architecture, transportation or public space—or how you imagine, hope or fear humanity might be changed due to this collectively lived experience.

Deadline is Monday, 7 December.

Previously: CityLab Wants Your Hand-Drawn Quarantine Maps; Maps from Isolation.

Apparently independently of one another, Sean Conway and Dmitriy Worontzov have been taking old geological and relief maps and applying using digital elevation models to apply 3D effects to them. The end result is a two-dimensional image, or a print, but it’s hard to shake the feeling that these maps now have real depth and texture. Conway, an orthoimagery specialist, works mainly on old U.S. relief maps; the results are available for sale as posters. Read more about him at My Modern Met. Worontzov, a Moscow-based art director, goes for geological maps, mainly from the Soviet era; see his work on Behance and Instagram, and read about him at Abduzeedo. [Alejandro Polanco, WMS]