ICHC 2024

The 30th International Conference on the History of Cartography will take place the first week of July 2024 in Lyon, France. Its theme is “Confluences—Interdisciplinarity and New Challenges in the History of Cartography.” The call for papers is open until 20 November 2023. Two associated exhibitions have already been announced, one on distant spaces, the other on maps and images of travel.

History of Cartography Project’s Fourth Volume Now Available Online

The History of Cartography Project’s fourth volume, Cartography in the European Enlightenment, is now available online for free download in PDF format. This book, edited by Matthew Edney and Mary Sponberg Pedley, came out in hardcover in the depths of the pandemic; free online access a few years after publication follows the precedent of previous volumes in the series.

This means that all five volumes that have been published to date can be downloaded for free (here). The remaining volume—volume five, Cartography in the Nineteenth Century—is in preparation. When that final book is published, it will close out a project that has taken more than four decades to come to fruition.

Previously: Forty Years of the History of Cartography Project; The History of Cartography’s Fourth Volume, Now (Almost) Out; History of Cartography Project Updates.

New Books on Early Modern Maps

Three books that have come out or are coming out this year that deal with maps of early modern Europe:

Navigations: The Portuguese Discoveries and the Renaissance by Malyn Newitt (Reaktion, 24 Apr). “Navigations re-examines the Portuguese voyages of discovery by placing them in their medieval and Renaissance settings. It shows how these voyages grew out of a crusading ethos, as well as long-distance trade with Asia and Africa and developments in map-making and ship design. The slave trade, the diaspora of the Sephardic Jews and the intercontinental spread of plants and animals gave these voyages long-term global significance.” £25/$40. Amazon (Canada, UK), Bookshop.

Here Begins the Dark Sea: Venice, a Medieval Monk, and the Creation of the Most Accurate Map of the World by Meredith F. Small (Pegasus, 6 Jun). A book about the famous Fra Mauro map. “Acclaimed anthropologist Meredith F. Small reveals how Fra Mauro’s mappamundi made cartography into a science rather than a practice based on religion and ancient myths.” $29. Amazon (Canada, UK), Bookshop.

Frames that Speak: Cartouches on Early Modern Maps by Chet Van Duzer (Brill, 25 May ebook, 19 Jul print). I’ve been following Van Duzer’s work on horror vacui, the lack of empty spaces on maps, for some time (1, 2); that work seems to be taken up by at least the first chapter on this new book on cartouches, which is available for free as an open-access download. “This lavishly illustrated book is the first systematic exploration of cartographic cartouches, the decorated frames that surround the title, or other text or imagery, on historic maps. It addresses the history of their development, the sources cartographers used in creating them, and the political, economic, historical, and philosophical messages their symbols convey. Cartouches are the most visually appealing parts of maps, and also spaces where the cartographer uses decoration to express his or her interests—so they are key to interpreting maps. The book discusses thirty-three cartouches in detail, which range from 1569 to 1821, and were chosen for the richness of their imagery.” $144. Amazon (Canada, UK), Bookshop.

More: Map Books of 2023.

Returning Maps to Their Context

Interesting essay for the History of Cartography Project from Matthew Edney, on the practice of treating maps as separate from the books they were originally published in—and physically removing them from those books—and the damage that does, both to the physical objects and to our understanding of the past.

The key issue is that over many centuries, maps have routinely been removed from their original contexts without clear records being kept. These practices have been extensively countered and halted since the 1970s, however they have left a legacy that requires great effort to overcome. But that effort always pays off: resituating early maps in the original contexts of their production, circulation, and use inevitably allows for more new interpretations of their meaning and significance.

Forty Years of the History of Cartography Project

This article from the University of Wisconsin–Madison takes a look back at the 40-year history of the History of Cartography Project, which, with the forthcoming publication of its final volume, is actually coming to a close in the near future. Includes quotes from current director Matthew Edney, who first came to the project as a graduate student in 1983.

Previously: The History of Cartography’s Fourth Volume, Now (Almost) Out; History of Cartography Project Updates.

Upcoming Workshops

Two workshops/courses coming in June:

Australian author and illustrator Kathleen Jennings will teach a workshop on fantasy mapmaking in June: the focus of Map Making and World Building is “on story and art,” the mapmaking illustrative rather than cartographical, and in general it seems to be about the relationship between map and story. The workshop will take place on 19 June both in-person (at the Queensland Writers Centre in Brisbane) and via livestream; tickets range from A$35 to A$100, depending.

A History of Maps and Mapping, a short introductory online course taught by Katherine Parker as part of the London Rare Books School’s program of summer courses, “will challenge students to destabilize and broaden the traditional definition of ‘map’, and to recognize maps as socially constructed objects that are indicative of the values and biases of their makers and the cultures that created them. Students will learn how to analyse and catalogue maps for a variety of research purposes, and to discuss changes in map technology and style without recourse to a progressive narrative of scientific improvement.” Matthew Edney will supply a guest lecture. The course runs from 29 June to 2 July and costs £100 (student) or £175.

Mapping an Atlantic World, circa 1500

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Out tomorrow from Johns Hopkins University Press, Alida C. Metcalf’s Mapping an Atlantic World, circa 1500 explores how sixteenth-century European maps conceptualized a new, Atlantic-centred world. From the publisher: “Metcalf explains why Renaissance cosmographers first incorporated sailing charts into their maps and began to reject classical models for mapping the world. Combined with the new placement of the Atlantic, the visual imagery on Atlantic maps—which featured decorative compass roses, animals, landscapes, and native peoples—communicated the accessibility of distant places with valuable commodities. Even though individual maps became outdated quickly, Metcalf reveals, new mapmakers copied their imagery, which then repeated on map after map. Individual maps might fall out of date, be lost, discarded, or forgotten, but their geographic and visual design promoted a new way of seeing the world, with an interconnected Atlantic World at its center.” [WMS]

John G. Bartholomew, 100 Years After His Death

John G. BartholomewA short piece in the Edinburgh Evening News last April noted the 100th anniversary of the death of John G. Bartholomew (1860-1920), the fourth of six generations of mapmaking Bartholomews; their firm, John Bartholomew and Son, was responsible for the Times atlases before they were taken up by HarperCollins.

Speaking of his ancestor’s legacy, great-grandson, John Eric Bartholomew, told the Evening News that the fact John George Bartholomew is recognised as the man credited with being the first to put the name Antarctica on the map remains a great source of pride.

Little known is that, in 1886, Bartholomew had a brief flirtation with considering the name “Antipodea” for oceanographer John Murray’s map depicting the continent, before settling for Antarctica.

More about John G. Bartholomew at the Bartholomew family’s website and the NLS’s Bartholomew Archive. [WMS]

Previously: Robert G. Bartholomew, 1927-2017.

‘With Savage Pictures Fill Their Gaps’: Chet Van Duzer on Horror Vacui

Chet Van Duzer’s presentation about the lack of empty spaces on old maps—horror vacui—at the November 2017 meeting of the New York Map Society has now been uploaded to YouTube.

As I’ve said before, the subject of empty spaces on maps is of considerable interest to my own research on fantasy maps: fantasy maps tend to be full of empty spaces not germane to the story, whereas real-world maps were covered in cartouches, sea monsters, and ribbons of text. As a result I’m very interested in what Van Duzer has to say about the subject, and have been looking for something exactly like this recorded talk for some time.

I wasn’t disappointed. Van Duzer lays out, with some particularly over the top examples, how empty spaces on maps were consumed (his term) by text, ships, sea monsters and other embellishments that were designed for that very purpose. Some of those embellishments were absolutely enormous, others curiously redundant: a single map does not need four identical scales or a dozen or more compass roses, for example. “Everything we’re seeing here was a choice on the part of the cartographer,” he says at one point; “all this information could be disposed differently.”

Previously: Horror Vacui: The Fear of Blank Spaces.

A U.S. Army Film from 1971: ‘Mapping a Better Tomorrow’

“Mapping a Better Tomorrow” is a 30-minute film produced in 1971 to explain the work of the U.S. Army Topographic Command (TOPOCOM). After explaining maps from first principles, it covers the state of the art in terms of cartography, computer mapping, photogrammetry and surveying circa 1971, including the production of topographic maps, maps of the Moon and maps of, erm, southeast Asia. Since U.S. government publications are public domain, it’s available in several locations, including the Internet Archive (above), DailyMotion and Vimeo.

TOPOCOM itself had a short history. Created in 1968 (PDF) as the successor to the U.S. Army Map Service, it lasted less than four years before being merged into the Defense Mapping Agency (DMA) in 1972. Which in turn was merged into the National Imagery and Mapping Agency (NIMA) in 1996. Which in turn was renamed the National Geospatial-Intelligence Agency (NGA) in 2003.

The History of Cartography’s Fourth Volume, Now (Almost) Out

I believe that today is (nominally) the publication date of the fourth volume in the History of Cartography Project: The History of Cartography, Volume 4: Cartography in the European Enlightenment.

The History of Cartography, Vol. 4As with other volumes of the project, it’s a massive piece of work: two physical volumes and nearly two thousand pages. Edited by Matthew H. Edney and Mary Spondberg Pedley and featuring the work of more than 200 contributors, this book “offers a comprehensive overview of the cartographic practices of Europeans, Russians, and the Ottomans, both at home and in overseas territories, from 1650 to 1800.”

I say “nominally” because, Edney reports, “the entire print run of the book is being held at the printers in Manitoba until the pandemic recedes and there is someone at the press warehouse to receive the shipment and get the hard copies into everyone’s hands. So, please be patient.” The ebook version is in preparation.

The History of Cartography Project is being published a bit out of sequence. Volume six, covering the twentieth century, came out in 2015. Still to come is volume five, which covers the nineteenth century. Volume five editor Roger Kain has some thoughts on the history of the History of Cartography project.

While quite expensive to purchase, each volume is made available for free download on the History of Cartography project website 24 months after publication. Volumes one through three and six are available now; check back for volume four in the spring of 2022.

Previously: History of Cartography Project’s Sixth Volume Now Out; History of Cartography Project’s Sixth Volume Now Available Online; History of Cartography Project Updates.


The History of Cartography, Vol. 4, Part 1The History of Cartography, Volume 4: Cartography in the European Enlightenment
edited by Matthew H. Edney and Mary Spondberg Pedley
University of Chicago Press, April 2020
Amazon (Canada, UK) | Bookshop

Restoring the Grand Canyon Relief Model

A large relief model of the Grand Canyon, created by Edwin Howell in 1875, has resided in the University of Wisconsin–Madison’s Science Hall since 1980. The History of Cartography project’s offices are also in Science Hall. Lindsey Buscher, an editor on that project, wanted to include a photo of the relief model in the forthcoming fifth volume (which covers the 19th century), but the model was in too rough a state to be photographed. So they hired a professional conservator to restore the model: the results can be seen above. Now not only will the model’s photo be in the book, it’ll be on the cover. [Tom Patterson]

Inō Tadataka, Surveyor of Japan

National Diet Library

Britain had the Ordnance Survey, France the Cassini family. Japan had Inō Tadataka (伊能 忠敬, 1745-1818), who over a series of expeditions in the early 19th century conducted a systematic survey of Japan using modern techniques. Writing for Nippon.com, Inō’s biographer, Hoshino Yoshihisa, writes a long introduction to Inō’s life and work that is well worth the read. [Tony Campbell]

For more on the history of Japanese cartography, see Cartographic Japan, a collection of academic essays edited by Kären Wigen, Sugimoto Fumiko and Cary Karacas that was published by the University of Chicago Press in 2016.