Tag: exhibitions

The Truth About Harry Beck: A Play About the Tube Map’s Creator

Published on by Jonathan Crowe
Cover image from The Truth About Harry Beck, a play now on at the London Transport Museum. It’s an outline cutout image of Beck with the London Underground map in the back.

The Truth About Harry Beck, a play about the designer of London’s iconic Tube map, is at the London Transport Museum’s Cubic Theatre through January. Writer and director Andy Burden spent years working on the play. So far reviews have been mostly positive: Theatre Vibe’s Lizzie Loveridge found it “charming,” Everything Theatre “warm,” and Broadway World calls it “as reassuring as a comfy pair of slippers,” whereas The Arts Desk’s take is more mixed and The Standard dismisses it as “chock-full of mugging, direct address and chuntering dimwittery.” BBC News coverage.

Not coincidentally, it’s the 50th anniversary of Beck’s death. London map dealer The Map House has an exhibition to mark the anniversary: Mapping the Tube: 1863-2023. They’re a map dealer so the displays are for sale, including a draft copy of the map and one of only five remaining first-edition Tube map posters. Runs from 25 October to 30 November, free admission.

New Leventhal Exhibition: Processing Place

Published on by Jonathan Crowe

An exhibition exploring the history of computerized mapping, GIS and remote sensing opened at the Boston Public Library’s Leventhal Map Center last Friday. Processing Place: How Computers and Cartographers Redrew our World runs until March 2025.

In the long history of mapmaking, computers are a relatively new development. In some ways, computers have fundamentally changed how cartographers create, interpret, and share spatial data; in others, they simply mark a new chapter in how people have always processed the world. This exhibition features objects from the Leventhal Center’s unique collections in the history of digital mapping to explore how computers and cartographers changed one another, particularly since the 1960s. By comparing maps made with computers to those made before and without them, the exhibition invites us to recognize the impacts of digital mapping for environmental management, law and policy, navigation, national defense, social change, and much more. Visitors will be encouraged to consider how their own understanding of geography might be translated into the encodings and digital representations that are essential to processing place with a computer.

The online version of the exhibition is here.

New Leventhal Exhibition: ‘Heaven and Earth: The Blue Maps of China’

Published on by Jonathan Crowe
Daqing wannian yitong dili quantu (Suzhou, ca. 1820). Map, Prussian blue ink on xuan paper mounted as folding screen, 112×249 cm. MacLean Collection Map Library, Norman B. Leventhal Map and Education Center.

A new exhibition at the Boston Public Library’s Leventhal Map Center, Heaven and Earth: The Blue Maps of China, focuses on two extraordinary Chinese maps from the early 19th century printed using Prussian blue pigment.

These maps were presented in an extraordinary format, on eight vertical sheets printed in the style of rubbings. Even more strikingly, they were rendered in a rich blue coloring. The pigment Prussian blue had recently begun to be produced in China, and these maps were amongst the first printed objects in East Asia to make use of the colorant—predating the famous use of Prussian blue by Japanese print artists soon after.

The blue maps were more than just visually astonishing. They also captured Chinese ideas about the relationship between terrestrial and celestial space, and still provide insight today into how Chinese scholars and artists conceptualized the world around them. Beautiful and powerful in equal measure, these blue maps capture details of a transitional moment in the history of China—and the wider world. This exhibition considers these two maps in the context of their production, consumption, and functionality, revealing them as unique objects in the global history of mapmaking.

The online version is full of interesting detail about the maps’ materials and production. The physical exhibition opened last weekend and runs until 31 August 2024. Free admission.

Napoleon’s Adriatic Atlas

Published on by Jonathan Crowe
From C. F. Beautemps-Beaupré, Reconnoissance hydrographique des ports du Royaume d’Italie situés sur les côtes du Golphe de Venise (1806). NSK.

An online exhibition by the National and University Library in Zagreb (NSK) focuses on an atlas of Adriatic sea ports commissioned by Napoleon after the French Empire’s annexation of Italy in 1805. The Library’s English-language announcement:

Commissioned by Napoléon Bonaparte himself and marked by exceptional scientific and artistic value, the 1806 atlas consists of charts and topographical views of the eastern part of Croatia’s Adriatic coastline, whose annexation to Napoleon’s empire prompted the atlas’s creation by famous cartographers Charles-François Beautemps-Beaupré, Ekerlin and Paolo Birasco.

The atlas’s significance in documenting the first scientifically based hydrographic surveying of the Adriatic in history and thus being an indispensable resource in any Adriatic-related research is matched by its exquisiteness in terms of its purely artistic features.

The Library’s copy of the atlas was acquired at a public auction in London in 1979. More about the NSK’s map collection (in English; all links in Croatian unless otherwise indicated).

A Very Personal Map Exhibition

Published on by Jonathan Crowe

An exhibition of maps from the personal collection of our friend Alejandro Polanca Masa is taking place at the municipal auditorium of his home town of Guardo, Spain. Free admission, runs until September 15. Alejandro writes (link in Spanish): “Quien pase por allí, puede disfrutarlo gratuitamente. Y mola, porque he seleccionado mapas desde el siglo XVIII hasta 1960, todos originales, que se pueden ver y tocar, incluyendo atlas y libros sobre cartografía. ¿Te lo vas a perder?”

From Academieland to Zelda: Fictional Map Exhibition at Harvard

Published on by Jonathan Crowe

From Academieland to Zelda: Mapping the Fictional and Imaginary, an exhibition of fictional maps at Harvard University’s Pusey Library, runs until 3 November 2023. The Harvard Gazette (the university’s official press outlet) has a writeup. “Calling the exhibition ‘kind of a mishmash,’ curator Bonnie Burns, head of geospatial resources at the Harvard Map Collection, said that ‘within the exhibit you have maps that are kind of theoretical, like nursery rhymes and Fairyland maps. And then there’s a big chunk of maps of literature—Middle Earth to Narnia.’” Many familiar maps, old and new, in this exhibition, at least for those of us who’ve been studying this field.

Upcoming Leventhal Exhibition Will Explore Boston Transit Maps

Published on by Jonathan Crowe

An upcoming exhibition at the Boston Public Library’s Leventhal Map Center, Getting Around Town: Four Centuries of Mapping Boston in Transit, “brings together an extraordinary collection of maps, plans, ephemera, and other materials to investigate how Bostonians have moved around the city in the past, present, and future.” Opens September 9 and runs until April 27, 2024. Free admission.

New Boston-Focused Map Exhibitions at the Leventhal Center

Published on by Jonathan Crowe

Atlas of the city of Boston, Roxbury: plate 14 (1931)
From Atlas of the City of Boston (1931). Norman B. Leventhal Map Center, Boston Public Library.

Opening today at the Boston Public Library’s Leventhal Map Center, Building Blocks: Boston Stories from Urban Atlases is an exhibition that explores street-level changes to Boston in the period between the Civil War and World War II. Media release.

Building Blocks: Boston Stories from Urban Atlases features rare materials from the BPL’s historic collection of maps and atlases alongside lithographs, photographs, and sketches of familiar local landscapes. Visitors will discover how the atlas collections opens up a world of fascinating stories, with vignettes including the city’s first African Meeting House in the heart of Beacon Hill, landmarks of leisure like the “Derby Racer” and “Giant Safety Thriller” amusement rides in Revere, public health infrastructure on Gallops Island in Boston Harbor, and many more.

The in-person exhibition at the BPL’s Central Library opens today; a digital version will follow online. Runs until 19 August 2023. A curatorial introduction will take place next Wednesday.

Meanwhile, a permanent exhibition, Becoming Boston: Eight Moments in the Geography of a Changing City, also opens today at the Leventhal: “In the eight cases of this exhibition, we follow the changing spatial forms of the place we now call Boston—from before the landscape carried that name all the way through the struggles, clashes, and dreams that continue to reshape the city today.”

See the Leventhal’s exhibitions page and their preview of 2023 events for more details.

New Map Exhibition in Leiden

Published on by Jonathan Crowe

“When looking at maps, we should always be mindful of the question: Who is mapping what and for what purpose?” A new exhibition at the Museum Volkskunde in Leiden, in collaboration with Leiden University Libraries, Kaarten: navigeren en manipuleren [Maps: Navigating and Manipulating], which opened last month, gathers together contemporary art and antique maps from their respective collections to explore the question of truth and perspective in maps. One example: a “serio-comic map” from the Crimean war (in Dutch). Another video, also in Dutch. Runs until 29 October 2023. Tickets 15€ or less.

New Osher Exhibition on Mapping New England’s Textile Industry

Published on by Jonathan Crowe

Title image for Industry, Wealth and Labor exhibition (Osher Maps Library)

The Osher Map Library’s latest physical exhibition, Industry, Wealth, and Labor: Mapping New England’s Textile Industry, opened last Thursday. “Inspired by the map library’s recent acquisition of a collection of textile mill insurance plans and historic maps from the American Textile History Museum, this exhibition addresses the temporal, geographic, and demographic components of New England’s cotton textile industry from the early 19th century until the middle of the 20th century.” Free admission; runs until 30 June 2023.

New Osher Exhibition: Vacationland

Published on by Jonathan Crowe

Banner image for the Osher Map Library’s exhibition, Vacationland

Vacationland: Mapping History in Maine, the Osher Map Library and Smith Center for Cartographic Education’s latest exhibition, “looks at tourism through the lens of travel and transportation, quite literally the mapping of tourism in Maine from the mid-19th century to the mid-20th century. This exhibition invites you to think about the changing landscape interventions created by and for tourists, as well as the impact such changes had on people living in Maine year round, and upon the environment.” This exhibition opened on 15 June and runs until 11 October; reservations required for social distancing reasons to visit the gallery in person. It’s not yet online; the Osher usually gets an online version up a little later on.

The World in Maps: New Exhibition at Yale’s Beinecke Library

Published on by Jonathan Crowe

An exhibition at Yale University’s Beinecke Rare Book and Manuscript Library opens this Friday: The World in Maps, 1400-1600.

This exhibition presents many of the most historically significant manuscript maps from the late medieval and early modern period from the Beinecke Library’s vast collection of maps. It is focused on portolan charts—large, colorful charts that showed the shoreline of the Mediterranean, and were used by sailors to navigate from port to port. These maps were crucial to the expansion of European trade in the fiftieth and sixteenth century. Yale University Library has one of the most significant map collections of this period and owns some unique items not found in any other collection. […]

This exhibition presents maps from several different historical groups and demonstrates how maps functioned to place people within a larger world context. While primarily focusing on European maps, it also includes Middle Eastern and Asian world maps to illustrate common elements and also highlight significant differences. In addition, the exhibition presents some map forgeries and how they were determined to be fakes using scientific and historic analysis.

On that last point, yes, the Vinland Map will be a highlight of the exhibition, as will the Aguiar and Beccari portolan charts, the Martellus world map, and the Abenzara map.

The exhibition runs until 8 January 2023. Lectures will be taking place in the fall.

New Leventhal Exhibition: More or Less in Common

Published on by Jonathan Crowe

Image from the More or Less in Common exhibition

More or Less in Common: Environment and Justice in the Human Landscape is the latest exhibition at the Boston Public Library’s Leventhal Map and Education Center.

In More or Less in Common: Environment and Justice in the Human Landscape, we take a look at how questions of social justice and injustice are essential topics to confront when trying to understand the human landscape. These questions must also be at the center of our attention as we challenge ourselves to build better, healthier environments in the future. Through maps as well as photographs, images, and data visualizations, this exhibition encourages you to confront stories about how environmental conditions have sometimes served to worsen inequalities along lines of social division. At the same time, our shared environment offers the possibility to bring people together across differences and the inspiration to forge new kinds of common action.

This is a hybrid physical/digital exhibition that can be visited in person or viewed online. It opened on March 18 and runs until December 28. See the Boston Globe’s coverage.

Maps and Literature Updates: Two Exhibitions and an Article

Published on by Jonathan Crowe

The Osher’s fantasy map exhibition, North of Nowhere, West of the Moon: Myth, Fiction, and Fantasy in Maps, is now online—though a number of the exhibition’s maps are unavailable to view, I’m guessing for copyright reasons1 (previously).

Last month, MapLab’s Laura Bliss interviewed the Huntington’s curator of literary collections, Karla Nielsen, about the Huntington’s Mapping Fiction exhibition (previously).

The text of my article “Maps in Science Fiction” is now available online (previously).