Eye of the Bird: An Exhibition of Bird’s-Eye Views of Washington, D.C.

Running until 23 December at the George Washington University Museum, Eye of the Bird: Visions and Views of D.C.’s Past is an exhibition of bird’s-eye views of the U.S. capital. Two new paintings by Peter Waddell specially commissioned for the exhibition—large, delicately detailed oil-on-canvas paintings that took two years to finish—serve as its centrepiece; paintings and artist are the subject of this Washington Post piece. [WMS]

Previously: The Albert H. Small Washingtoniana Collection.

Cartographers in the Field

Hal Shelton, “Cartographers in the Field,” 1940. Oil painting, 4 × 6 feet. USGS Library, Menlo Park, California. Photo by Terry Carr, USGS. Public domain.

Cartographers in the Field: “This Depression-era oil painting was created by USGS field man Hal Shelton in 1940. The painting depicts mapping techniques used in the early days of cartography, including an alidade and stadia rod for determining distances and elevations and a plane-table for sketching contour lines. A USGS benchmark is visible near the top. The straight white lines represent survey transects. Note the ‘US’ marking on the canteen: many of the USGS field supplies were obtained from Army surplus.” [Osher Map Library]

Paula Scher: U.S.A.

scher-geography-and-climate
Paula Scher, U.S. Geography and Climate, 2014. Acrylic on hand-pulled silkscreen, 36¾″ × 54⅛″.

U.S.A., a new exhibition of Paula Scher’s map art, opened last week at the Bryce Wolkowitz Gallery in New York. From the press release:

For this exhibition, Scher has created a body of large-scale cartographic paintings focusing on the United States. Paintings as tall as seven feet depict the country swirling in torrents of information and undulating with colorful layers of hand-painted boundary lines, place names, and commentary. Different sets of data—population demographics, transportation flows, geography, and climate—are employed to make connections and establish patterns. While the information can in no way be interpreted as literal fact, the expression of it demonstrates a personalized understanding of the diversity of the United States.

The exhibition runs until March 26. More on the exhibition from Slate and Mental Floss. The New Yorker has a new profile of Paula Scher, a renowned graphic designer who’s been painting these distinctive maps in her spare time.

scher-mapsA book of her map art, Paula Scher: MAPS, was published by Princeton Architectural Press in 2011.

Previously: New Paula Scher Exhibition; Paula Scher: The Maps.