While poking around the University of Chicago Press website yesterday, I noticed that a fourth edition of Norman J. W. Thrower’s history of cartography textbook, Maps and Civilization: Cartography in Culture and Society, is due out this month: Amazon. The changes from the third edition (Amazon, iBooks) appear to be limited: “For the fourth edition of Maps and Civilization, Thrower has added an additional chapter that serves to bring the volume completely up to date.” My gaps in cartographic knowledge are such that I’ve never read this book; this may be an opportunity to rectify that.
Le Télégramme, a French newspaper based in Brittany, maps the percentage of immigrants in France by canton; a second map shows the largest source of immigration (Portugal shows up more than any other country). In French. [Maps Mania]
The Electric Map of Gettysburg, now residing at the Hanover Heritage and Conference Center in Hanover, PA, is slated to open to the public in June. The Center will hold a public event on 3 June; if all goes well, the map program will open the following night. A director, responsible for the historical programming, has also been hired. See the announcement on Faceboook. [WMS]
A map on a display at the CDC’s in-house museum hides in plain sight what U.S. government authorities are reluctant to admit: the origin of the 2011 cholera epidemic in Haiti (a U.N. peacekeeping base housing a batallion from Nepal). All the more amazing by its juxtaposition with John Snow’s famous 1854 cholera map of London. It’s as if they wanted us to tell us something while being prevented from doing so.
Out this month from Amberley Publishing: Mapping the Airways. “Drawing on fascinating and unique material from the British Airways archive, curator Paul Jarvis focuses on the beautiful map artwork used over nearly 100 years of history to chart our voyages through the skies—from early adverts to twenty-first-century on-board moving maps—and the vital maps and charts used by pilots and navigators.” (The paperback edition seems to be delayed until June on the U.S. Amazon store, though you can still get the Kindle version.) Here’s a short piece about the book in the trade journal Advance. [Tony Campbell]
I have studied this area in great detail, and have defined each unit based on its texture and morphology—for example, whether it is smooth, pitted, craggy, hummocky or ridged. How well a unit can be defined depends on the resolution of the images that cover it. All of the terrain in my map has been imaged at a resolution of approximately 1,050 feet (320 meters) per pixel or better, meaning textures are resolved such that I can map units in this area with relative confidence.
By studying how the boundaries between units crosscut one another, I can also determine which units overlie others, and assemble a relative chronology (or timeline) for the different units; this work is aided by crater counts for the different terrains that have been obtained by other team members. I caution that owing to the complexity of the surface of Pluto, the work I’ve shown is in its early stages, and a lot more is still to be done.
Cartographic Japan: A History in Maps came out last month from the University of Chicago Press. It’s a collection of 58 academic essays edited by Kären Wigen, Sugimoto Fumiko and Cary Karacas (see the table of contents) that provide, in the words of the publisher, “close analysis of one hundred maps from the late 1500s to the present day, each one treated as a distinctive window onto Japan’s tumultuous history.” Amazon, iBooks. [WMS]
The Golden Age of American Pictorial Maps is an exhibition running until 3 September 2016 at the University of Southern Maine’s Osher Map Library. (If you can’t go there physically, there’s plenty online at the link, too.) “Curated by Dr. Stephen J. Hornsby, co-editor of the Historical Atlas of Maine [previously] and author of a forthcoming book on American pictorial maps, this exhibit looks at the golden age of pictorial or illustrated maps from the 1920s to the 1960s. Reflecting the exuberance of American popular culture and the creativity of commercial art, the maps are stimulating to the imagination and dazzling to the eye.” [WMS]