A Stranger Quest: A Documentary About David Rumsey

Map collector David Rumsey—he of the eponymous website and Stanford map center—is the subject of a new documentary directed by Italian filmmaker Andrea Gatopolous. A Stranger Quest premieres at the Torino Film Festival later this month and is scheduled for a 2024 release. The trailer, above, doesn’t reveal much. [Kottke]

Behind the Scenes of the ‘Barbie’ Map

The Wall Street Journal provides some background to the map that got the Barbie movie into trouble in Vietnam, and the steps movie studios are increasingly taken to ensure that on-screen cartography doesn’t run afoul of other countries’ sensitivities. How to avoid a repeat of the Barbie controversy? “One proposal executives have discussed: having an employee inside the clearance department review every map featured on screen for potential problems or offenses. That’s a tough proposition, one employee noted, since the ‘Barbie’ map wasn’t processed by the Los Angeles team as a normal map at all.” (Link may be paywalled; see also the Apple News+ link—which granted is also paywalled.)

Previously: Philippine Censors Want ‘Barbie’ Blurred, Not Banned; The Nine-Dash Line Gets ‘Barbie’ Banned in Vietnam.

Star Wars and Its Obsession with Maps

Still from an episode of 'Star Wars: Ahsoka' showing the villains surrounded by a virtual map.

The first two episodes of the latest Star Wars series, Ahsoka (which launched this week), focus on the struggle to acquire, unlock and interpret a map to an unknown destination. Sound familiar? It should: The Force Awakens did something awfully similar. Gizmodo’s James Whitbrook explores Star Wars’ apparent map obsession, and concludes it’s about knowledge, and how easily it’s lost. “And that’s it, really: maps are important in Star Wars because knowledge is power in Star Wars as much as a Death Star or the Force is. And specifically in the case of a long, long time ago, archival knowledge and history is incredibly vital to understanding why Star Wars is the way it is.”

Previously: Mapping Star Wars.

Philippine Censors Want ‘Barbie’ Blurred, Not Banned

The Philippines is just as keen as Vietnam is to ban films showing the nine-dash line, and has done so in the past. Nevertheless, the Philippine censor board has decided to allow the release of the forthcoming Barbie movie, but has asked Warner Bros. to blur the offending map, which is apparently only eight dashes (and therefore okay) and too cartoonish to be linked to a controversial line on a real map. Coverage: BBC News, Guardian, Hollywood Reporter, Variety.

That follows the Warner Bros. line; last Thursday Variety reported the Warner Bros. response to Barbie being banned in Vietnam: “‘The map in Barbie Land is a child-like crayon drawing,’ a spokesperson for the Warner Bros. Film Group told Variety. ‘The doodles depict Barbie’s make-believe journey from Barbie Land to the “real world.” It was not intended to make any type of statement.’”

(Based on the screenshots I’ve seen, all it is is a dashed line extending east from a wildly inaccurate Asia; there are dashed lines elsewhere on the map that suggest routes more than borders.)

The Nine-Dash Line Strikes Again!

Netflix has removed Flight to You from its service in Vietnam, Variety reports, because the Chinese drama has scenes in nine episodes that show the nine-dash line on a map. The nine-dash line depicts China’s territorial claims in the South China Sea, which Vietnam (among other countries) bitterly contests—to the point of banning depictions of said line in all media.

Previously: The Nine-Dash Line Gets ‘Barbie’ Banned in Vietnam.

The Nine-Dash Line Gets ‘Barbie’ Banned in Vietnam

The upcoming film Barbie has been banned in Vietnam, the Washington Post reports, because it apparently depicts a map showing the nine-dash line—the line that depicts China’s territorial claims in the South China Sea. That line, and those claims, enclose the Paracel Islands, which Vietnam also claims as its territory. Blame Hollywood’s aversion to getting banned in the much larger Chinese market for not showing the nine-dash line, I guess; while Vietnam has a history of banning films for this reason (including, per the nine-dash line Wikipedia page, the recent films Abominable and Uncharted), it’s not remotely the only state that indulges in this sort of thing.

Maps and Mistletoe

Movie cover image: Maps and MistletoeBefore we’re completely out of the holiday season, I should mention that one of the 34 Christmas movies premiering on the Lifetime network just this year is relevant to our interests: Maps and Mistletoe,1 which premiered on the channel on 13 December. “Emilia Martin (Humberly González), a cartographer of school maps, has plans for a cozy Christmas at home until her boss has a last-minute project for her, designing a novelty treasure map of the North Pole. Emilia decides to seek out the expertise of North Pole explorer Drew Campbell (Ronnie Rowe), who reluctantly agrees to help her. As the two work closely, they discover more than either of them ever expected.” Not going to yuck what might be someone else’s yum. [MAPS-L]

Disney Insider Looks at National Geographic Maps

If you subscribe to Disney+, check out the 10th episode of Disney Insider, which dropped yesterday: its first segment looks at how National Geographic Maps produces its trail maps. The talking is done by National Geographic’s director of cartographic production, David Lambert. I can’t help but be reminded of those old newsreels that talked about map production; this is kind of that, only with really good production values.

About California Movie Location Maps

In the above Twitter thread, and in a new article in Film History: An International Journal, Patrick Ellis looks at the several maps of California that portray it as being able to stand in for locations around the world. It’s more than just location scouting for film shoots (though it very much is that); it’s also about marketing for in-state tourism. (The article is paywalled.)

British Library Exhibitions and TV Programs Revisited

BBC Four is rebroadcasting The Beauty of Maps, a four-episode series that coincided with the 2010 Magnificent Maps exhibition at the British Library. Two episodes broadcast so far, with the third this evening and the fourth tomorrow. They’ll be on iPlayer for the next month.

Meanwhile, the British Library’s 2016 Maps and the 20th Century exhibition (previously) is now available in virtual form—as in, you can “walk” through a virtual recreation of the physical exhibition. Articles related to the exhibition are available here, and of course the companion volume, Maps and the 20th Century: Drawing the Line, edited by Tom Harper, is still available: Amazon (Canada, UK), Bookshop.

How ‘1917’ Found Its Map

CBC News explores how the production team for the First World War epic 1917 consulted McMaster University’s collection of trench maps and aerial photography to produce an authentic replica of a situation map for the movie. The map they used, incidentally, is this one, a situation map showing British and German troop positions around Monchy-le-Preux on 24 April 1917:

McMaster University Library Research Collections

Nostalgic for Old-School TV Weather Maps. Really?

I’ve seen a lot of nostalgic pieces about paper maps and the advent of digital maps (here’s another one) that they’re almost not worth mentioning. But this piece about TV weather maps—specifically, bemoaning the loss of physical weather maps on which presenters “slapped magnetic clouds on to paper cutouts” and their replacement by computer and satellite imagery—is too, ah, much to ignore.

Mapping Star Wars

Star Wars: The Force Awakens (screenshot)

From a certain point of view, The Force Awakens is the story of how a rare and valuable map was kept out of the hands of an unscrupulous and extremely motivated collector. While a map served as the MacGuffin of Episode 7, maps of the Star Wars universe have been a thing for a while, at least in terms of supporting material.

According to this 2015 article on the Star Wars website about the history of maps of the Galaxy Far, Far Away, the first official map was produced in 1998. Since then the Star Wars galaxy’s map has been surprisingly consistent despite the addition of a huge amount of material (movies, TV shows, ancillary books and comics) and the canon shift that took place when Disney bought Lucasfilm: older maps—such as fan websites like Modi’s or W. R. van Hage’s, or the 2009 Star Wars: The Essential Atlas (updated with online appendices)—may not include planets that appear in later movies and TV shows (e.g., Jakku, Scarif or Lothal), but what does appear stays in the same place from map to map (i.e., Tatooine and Coruscant are in the same place). Jason Fry’s System Database keeps track of things.

The most up-to-date map I’ve been able to find is Henry Bernberg’s interactive Star Wars Galaxy Map, which has several advantages. Built using ArcGIS—he’s a GIS professional—and hosted using Carto, it has toggleable layers and is searchable (many maps online are simple images, which is tricky when you’re looking for a specific planet). It is, in other words, a useable map, which is a rare thing in science fiction and fantasy, and almost essential when dealing with an imaginary universe of Star Wars’ size.

Fake Britain: A Map of Fictional Locations

Matt Brown, Londonist

Londonist’s Fake Britain map: “We’ve put together a map of fictional locations from film, TV, literature and other sources. Take a look around this alternative nation and see how many places you recognise. From Judge Dredd to Vanity Fair, it’s all here.

“The vast majority of entries are well defined geographically. Some—such as Beanotown and Blackadder’s Dunny on the Wold—are a little more nebulous, but we’ve added them for fun. Hogwarts is an unmappable location (unless it’s a Marauder’s Map you’re looking at), but we’ve had a go anyway.”

They’re looking for additions and corrections to the map: this is a work in progress. [Scarfolk]