Interactive maps produced by Radio-Canada from Montreal Public Health data show where vaccination rates on the Island of Montreal are lagging. The Quebec government’s target is to have at least 75 percent of the population vaccinated. Of the 3,000 sectors on the map, 70 percent have reached that goal for the first dose and 3 percent for the second.
These data are useful in terms of where to target mobile clinics and other vaccination outreach programs. I’d love to see this for other cities in Quebec, especially the one nearest to me: Gatineau’s current rate is relatively low (66.4 percent first dose, 51.2 second dose as of this week) and it’d be revealing to see where the uptake is stronger or weaker.
Using carefully curated paper maps of the Caribbean and UK that have been shredded into strips, the artist and several black women co-creators used African-Caribbean hair styling techniques to plait the shredded maps. Culturally, such female spaces of hair styling are filled with discussions around self- and community-care, and this black woman-centred cultural practice juxtaposed the wood-lined walls, globes and portraits of white explorers that typify the building with the music and laughter of black women talking and working together. As a response to the RGS’s stated desire to reflect on their history and their building, this was a filling of the space with black women’s language, perspectives and practices, a reimagining of what the space can and should mean.
C. F. Weiland, Cholera-karte oder Übersicht der progressiven verbreitung der Cholera seit ihrer Erscheinung im Jahr 1817 über Asien, Europa und Africa, 1832. Map, 62 × 73 cm. Osher Map Library Sheet Map Collection.
The latest exhibition at the Osher Map Library and Smith Center for Cartographic Education is deliberately on the nose: Where Will We Go from Here? Travel in the Age of COVID-19 is the Osher’s first crowdsourced exhibition, based in part on more than 140 responses to an online survey about cancelled travel plans and the impact of the novel coronavirus pandemic.
The exhibition is divided into five sections, beginning with an introduction to the mapping of pandemics and diseases, and continuing into four themes that emerged from the types of cancelled or postponed trips our respondents wrote about most frequently: Birthdays, Anniversaries, and Family Milestones; Weddings; Work-Related Travel; and Lost Study-Abroad Experiences. The curators selected stories from the survey and matched personal narratives and reflections about trips not taken to historic maps from our collections. We hope that as you walk through the gallery you will take time to read these personal narratives, and that they provide you with an opportunity to engage in quiet reflection about the challenges you and your loved ones have faced this year, and that you will join us in pondering the question: “Where will we go from here?”
At the end of our questionnaire, we asked participants: “Beyond your canceled travel plans, is there anything else you would like to tell us about how the pandemic has impacted your living and working situations?” We were particularly moved by the honest and thoughtful responses to this question; all responses can be read in a scrolling feed on the monitor at the end of the exhibit.
The physical exhibition opened on 13 May and is open to visitors until 15 October 2021. Free admission with timed tickets; no more than six visitors are allowed in the gallery at any one time. The online exhibition starts here; the sections mixing personal narratives and historical maps can be quite poignant.
MacRumors takes a look at the changes to Apple Maps in iOS 15. “Apple has made so many improvements to the Maps app in iOS 15 that it’s almost an entirely different experience. There are better driving directions, improved transit directions, and more immersive AR-based walking directions.” That’s maybe a bit over the top, in the fashion of the Apple-focused tech press, but at any rate there are a bunch of screenshots.
Erin Davis has created maps showing the average colour of each country of the world (plus maps showing the average colour of each U.S. state and county). She derived the average colour from Sentinel-2 natural-colour satellite imagery; she appends the process and the code to the end of her post. [My Modern Met]
The Diefenbunker is a Cold War-era fallout shelter on the outskirts of Ottawa that has since been converted into a museum. Its large floor maps, never used or displayed, are serving as grist for an Indigenous artist in residence, CBC Ottawa reports:
As the new artist in residence at Ottawa’s Diefenbunker Museum, Mairi Brascoupé is blending Cold War-era maps and beadwork to explore the idea of “place” during times of change.
Brascoupé, a member of Kitigan Zibi Anishinabeg First Nation, wants to weave her own story by exploring the differences between cultures of Indigenous people and settlers.
She plans to use waterways and traplines in contrast with fallout zones, evacuation plans, and other details of the museum’s maps.
“When you are a global Geographic Information Technology company with a globe in your logo, you don’t shy away from the opportunity to have a great big glorious 8.5-foot diameter illuminated rotating globe in your new office building. But what sort of globe cartography do you design? How should this gigantic model of our lovely home planet appear?” John Nelson and Sean Breyer explain the design and construction process behind Esri’s new globe—a custom Earthball manufactured by Orbis World Globes.
The Google My Maps Android app is being closed down in October. You may remember that My Maps is a feature allowing users to create custom maps on the Google Maps platform relatively easily. To be honest I wasn’t aware that it had its own Android app; once that’s closed it will be available via the web. Andro4all worries (Spanish) that this is a sign that My Maps could be discontinued, which on the one hand seems a bit premature, but on the other, well, Google does have a track record. [Alejandro Polanca]
Randall Munroe, “Bad Map Projection: The Greenland Special,” xkcd, 14 July 2021
At some point, xkcd cartoonist Randall Munroe is going to put out a book focusing on his map-related cartoons, isn’t he. The latest in his “Bad Map Projection” series (previously: All South Americas, Time Zones, Liquid Resize) is The Greenland Special, an equal-area projection except for Greenland, which uses Mercator. And I thought he was messing with us before.
The Guardian: “Scottish mountaineering charities have criticised Google for suggesting routes up Ben Nevis and other mountains they say are ‘potentially fatal’ and direct people over a cliff.” Google Maps’s issue with Ben Nevis is that it routes to a parking lot nearest the summit, then more or less straight-lines it from there; as a dotted line it’s meant to indicate a route very imprecisely, but it also corresponds to a higher-difficulty ascent route that could land even experienced hikers in trouble. Not meant to be taken by people who don’t know what they’re doing—the people who might have no clue that it’s a bad idea to use Google Maps for mountain hiking, for example.
To be clear, I think this one’s on Google. A lot of people trust online maps implicitly because they have poor navigation skills and have a hard time overruling what the directions tell them: this is why people keep driving into rivers and onto tracks. It’s a design failure not to account for this in every circumstance.
Maps tracking the progress of the U.S.’s COVID-19 vaccination campaign at the CDC’s COVID Data Tracker (now) include an interactive county-level map showing first and second doses among 12+, 18+ and 65+ populations and a map of vaccine equity (above): a bivariate choropleth map showing the relationship between vaccination coverage and social vulnerability (housing, vehicle access, general poverty).
Since 2013, Peter Bolt—whose company is called Landfall—has been making bespoke 3D relief models based on from nautical charts, Ordnance Survey maps and aerial photographs (see his portfolio for examples). The models are layered along contour lines—a process that can be seen in several of his videos. Everything is a custom job, made by hand; prices begin around £250 for an A4-sized model and go up from there.
